I
recently read James Elkin’s The Object Stares
Back at You. Among other things it talked about the conditions of seeing,
that blindness isn’t the opposite of vision rather it is its constant companion
even the foundation of seeing itself. This came back to me when I read Dipesh
Chakrabarty’s Provincializing Europe:
in trying to free itself from the first-Europe and then rest of the world
model, his arguments are in constant conversation with European theorists. Similarly,
historicism and what Chakrabarty calls decisionism aren’t opposites but
mutually constitutive. But how does time feature into all of this?
One of the important things that
Chakrabarty aims to do is to problematize the notion of singular united time
and to explore diverse ways of being in the world by delving on examples from
the Bengali context. This then is a critique of historicism in non-western
societies. If one were to use historicism, Chakrabarty writes that history of
non-western societies would be like a "waiting room" where time is secular and
those who haven’t realized political modernity in western terms wait for its
arrival. Here is where the intervention of the subaltern studies collective occurs—the
collective tries to democratize history through ideas of time itself (whether
they succeed or not is a separate question). This challenges notions of singular
united historical time in which we all exist as monolithic subjects. If read generously,
the subaltern studies can also be seen as a critique of secular time. For
instance, Guha puts it beautifully “the possibility of calling upon God [or
gods] without being under an obligation to first establish his [or their]
reality.”
Chakrabarty
also ties in ideas of past with futurity. Constantly fragmentary and
irreducibly plural nature of the now affects our conceptions of the past. The past is incomplete and perennially inaccessible
in its full form to the historian who objectifies it through history. History
then as much a project about futurity (a fragmented one) as much it is about
the past. In many ways the subaltern collective is about futurity as well. Because the past haunts the moment that we have arrived in,
shapes the questions that ask of archives which somehow constitute pastness it
also retrieves futures by creating them, if not rendering them partially visible.
Where does that leave us? In a fragmentary world of constantly shifting time
that allows for multiple ways of being to translate some of its traces onto
history. This plurality of time shapes the historian’s conception of their
world and history writing. Consider Galeano’s larger than life almost
super-natural history that reminds one of Marquez’s fiction. To write history then
is an act of saving the past and a declaration of possibilities of future.
Conceptions of time too are political.
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