Dipesh Chakrabarty in Provincializing Europe emphasizes the historian's need to acknowledge the contradiction between the
post-colonial experience and the persistence of Western categories in scholarly
explanations of post-colonial modernity. As he points out: "European
thought is at once both indispensable and inadequate in helping us to think
through the experiences of political modernity in non-Western nations, and
provincializing Europe becomes the task of exploring how this thought … may be
renewed from and for the margins." Europe
for him, is not only a geographical region, but also a body of scholarship that
defines how academics view the world. This body of scholarship sees itself as
universal and global. Chakrabarty’s concern is with contesting this idea of a
universal form of knowledge through which he wishes to return Europe to its
rightful place as one world region amongst many, without the privilege that it
has continued to hold in academic circle. That is to say that Europe should no
longer be considered as the template for modernity, as it is only one
expression of this transition. In his introduction Chakrabarty says that “universal categories that have
arisen out of European thought are “indispensable and inadequate in
representing this particular case of non
European modernity”. Another
point he raises is that of European knowledge being based on ‘rough
translations’ that do not take into account particularities
and “plural genealogies”. A third factor that I found appealing was
Chakrabarty’s inclination towards the “hermeneutic tradition” as a mode of
engaging and understanding particularities. Hermeneutics as being acts of
interpretation undercuts the idea of universal because interpretations differ
within different contexts and once again bring us to focus on specificity. With
that in mind, how does the chapter on Domestic
Cruelty and the Birth of the Subject become
relevant to Chakrabarty’s ideas? In this essay Chakrabarty takes the subject
who observes and documents the suffering of widows as a point of analysis to
think about how one would write a history of a modern Bengali subject of
compassion from outside of European mode of thinking and seeing. By comparing
the biographies of Rammohun
and Vidyasagar with what they themselves wrote, one finds different answers to
the question of what made them compassionate. They themselves espoused a
natural theory of compassion, the idea that compassion was a sentiment
universally present in something called “human nature,”. But Chakrabarty argues
that Bengali history cannot unproblematically be mapped onto Enlightenment modes of thinking.
Bengali biographies point to this fact whereby Rammohun Roy or Vidyasagar’s was
due to their heart. There were thus two separate and unconnected theoretical
ways of looking at compassion and personhood. One was the European-derived
natural theory of sentiments. The other was derived from Indian aesthetics,
inscribed in Bengali words used to describe the capacity for sympathy . They
represented a different hermeneutic that ‘supplemented’ the European
Enlightenment one. Chakrabarty argues that the modern Bengali subject who
demonstrates a will to witness and document suffering is a “multiple” being. So
Kalyani Datta can be understood as a citizen subject but at the same time
her work can be read as part of the history of the Bengali Bhadramahila. A third way of reading her act of
documenting suffering can be to think of “other ways of being civil and
humane”. The modern post-colonial self exists in a multiplicity. But if this
subject arises in opposition to what it is not- the modern subject of
Enlightenment thought. If this subject too can only be realized by placing it
in opposition to the European subject of modernity the knowledge of which
becomes important to make the difference, then my question is how far can we
think outside of European episteme? What is the utility of contesting
universals, as Chakrabarty does when it is needed to understand the particular?
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